Amara OseiStudio · Accra
Booking Q1 2027 · 2 slots

Design that reads first —
and holds for years.

I design brand identities for founders, cultural institutions and independent labels — mostly across Africa and its diaspora. Small caseload, long timelines, quiet outputs.

Amara Osei
A recent project
Brand identity ·Type design ·Editorial ·Packaging ·Art direction ·Motion (with collaborators) ·Brand identity ·Type design ·Editorial ·Packaging ·Art direction ·Motion (with collaborators) ·
How I work

One direction. Defended in writing.

I don't present three concepts to choose between. I present one — and a written narrative for why. If it's wrong, we start again together.

01

Immersion

Time in the room, with the people. Two weeks minimum before I sketch.

02

Direction

One direction presented with a written narrative. If it's the wrong one, we say so.

03

Craft

Type drawn, systems built, prototypes applied in real-world contexts.

04

Handover

A living brand book you can actually use. A workshop with your team at close.

Sankofa Museum · Full identity
Flagship

Sankofa Museum · Full identity

Identity · Type · Wayfinding · Print

A 14-week identity engagement for the Sankofa Museum of Contemporary Art. Built the wordmark and a custom display cut in three weights, extended into large-scale wayfinding, member cards, exhibition posters and a 240-page annual publication.

  • A wordmark and a custom Latin/Twi typeface in Light, Regular, Display
  • Complete wayfinding system for 4,200 sqm of gallery
  • The 2025 annual publication — 240 pages, offset printed

“Amara built a visual language that has held together across three exhibitions, two annual reports and 40 posters — without a single ‘brand refresh’.”

Nana Yaa Boateng · Sankofa Museum

What clients say

What people tell each other.

Amara built a visual language that has held together across three exhibitions, two annual reports and 40 posters — without a single 'brand refresh'.
NY
Nana Yaa Boateng
Founding director
Our editorial system is 96 issues in and still feels new. That is the entire point.
CI
Chiedu Ike
Editor-in-chief
She sat with us in the roastery. The packaging looks like it grew there. Sales lifted 34% at launch.
KM
Kojo Mensah
Founder
The retainer is like having a senior creative director at the table for every campaign. It's shifted how our whole team thinks.
ZO
Zara O.
Head of design
Chalé Sans is the first African-designed family that could sit inside any European brand book without feeling out of place. That's rare.
IA
Isla A.
Design lead
The wordmark she made for us has been on 400 posters and 12 book covers. It still reads first, every time.
AD
Adjoa D.
Publisher
Journal

Notes from the studio.

Short essays on drawing type, running a solo practice, and the West-African design canon.

Apr 2026 · 12 min read

Drawing a Twi typeface — five months in the archive.

Read the essay
Feb 2026 · 6 min read

One direction, one narrative: why I don't present three concepts.

Read the essay
Jan 2026 · 9 min read

The West-African design canon — a working reading list.

Read the essay
Amara Osei
The designer

Amara Osei

Brand designer · Art director · Type nerd

I studied fine art in Kumasi and communication design at ECAL. I spent five years inside a design studio in London before moving back to Accra to work independently.

Since 2022 I've been a studio of one — taking three to four full brand identity projects a year and one long-running art direction retainer.

The work sits somewhere between editorial, cultural and fashion — logos and typography, but always in service of a bigger visual language: motion, packaging, art direction, print.

Disciplines
Brand identityType designEditorialPackagingArt directionMotion (with collaborators)
9
Years in practice
42
Identities shipped
4
Slots per year
91%
Client renewals
Common questions

Before we start.

Full FAQ

It always starts with a 30-minute call — free, no brief required. I use it to see whether we're a fit. If we are, I send a written proposal within a week.

Ready to talk?

Have something in mind?

I take three to four full identity projects a year. If we're a fit, we start with a short call.